Showing posts with label Hitagi Senjōgahara. Show all posts
Showing posts with label Hitagi Senjōgahara. Show all posts

Wednesday, 25 September 2013

Anime REVIEW: Nisemonogatari

Nisemonogatari Fire Sisters Tsuhiki Karen Araragi Shaft

It's not very often that a series as good as Bakemonogatari comes along, and being only 15 episodes long its easy to be left wanting more from it. So it's just as well Shaft decided to continue animating the light novel franchise, continuing with the sequel Nisemonogatari (which translates as "Fake story", or "Impostory" if you still want a clever pun out of it) in 2012. The show ran for a total of 11 episodes.

Nisemonogatari Fire Sisters Tsuhiki Karen Araragi Shaft
Our fire sisters: Tsuhiki & Karen

Continuing on some time after the events of Bakemonogatari, Nisemonogatari picks up with two new arcs concerning the two characters we saw little of in the first season - Koyomi's younger sisters Karen and Tsuhiki. Nicknamed the "Fire Sisters" at school, the hot-headed Karen and short-tempered Tsukihi are a duo and perform deeds in the name of justice. When this of justice lands Karen in trouble with a conman named Deishū Kaiki, as usual its up to Koyomi to save the day and deal with what turns out to be a supernatural threat. Later, when Tsuhiki runs foul of an onmyōji by the name of Yozuru, Koyomi must spring into action once again despite learning a dark secret about his youngest sister.

Nisemonogatari Koyomi Araragi Shaft
We later learn Koyomi has some rather interesting ideas about oral hygiene...

Though the series mainly concerns Karen and Tsuhiki, once again the show is based on Koyomi's point of view and all of the main cast return from Bakemonogatari. Of course Tsubasa, Suruga, Mayoi and Nadeko have much more limited roles, but the series makes sure each of them have some sort of role and/or a memorable moment. As Koyomi's girlfriend Hitagi appears a little more, but her importance is still rather limited despite having links to Kaiki. It's all about the relationship between Koyomi and his sisters - a brother that would clearly do anything for them, even if that relationship borders on the incestuous side far more often than it probably should. There isn't a whole lot to say about the sisters themselves as their development is rather limited (both arcs concern them rather than actually involve them), but Karen gets that little bit more as her story overflows into the second arc.

Finally we have our "villains" for the series - the aforementioned Kaiki, Yozuru and her shikigami Yotsugi. While Kaiki is quite entertaining as a gloomy conman, the other two fall a bit flat as "final boss" characters, memorable only by their quirks and story rather than the characterisation itself.

Nisemonogatari Koyomi Araragi Shinobu Oshino Shaft
What? Have you never taken a bath with a vampire in an 8 year old's body?

However the real star of Nisemonogatari was, is and always will be Shinobu. After making a VERY strong impression at the end of the first season, the strong-but-silent vampire is back to steal though once again - although this time once she starts talking she won't shut up. Not only do we have Shinobu stealing the show in the show's big climax once again, but now an oh-so-slightly older looking (don't worry loli fans, you're still covered!) Shinobu has some pretty great exchanges with Koyomi. Not to mention her obsession with doughnuts is taken to an absolutely adorable level. If Shinobu hadn't become one of your favourite characters by the end of Bakemonogatari, she sure will here.

Nisemonogatari Deishū Kaiki Shaft
What about this picture DOESN'T scream "conman"?

Despite all these great characters, Nisemonogatari falls short in the other area its predecessor excelled at - story. The series is split into two arcs - the seven episode "Karen Bee" and the four episode "Tsuhiki Phoenix". Considering the arcs in Bakemonogatari ranged mostly between two and three episodes, on face value these arcs seem pretty long in comparison. However very little of the content has to do with their subject matter, with the main crux of the story crammed into the last episode or two and the rest made up of filler and fanservice. Tsuhiki is barely in her own arc! For example "Karen Bee" feels it necessary to slow reintroduce every character from the original series again, just adding new little details like Nadeko being a secret slut and Suruga spending most of her time naked. They make for funny moments, but these take up huge portions of episodes or even entire episodes altogether. With lots of sequences where nothing much is going on, the conversations become easier to lose than ever and in the end its just Shaft's gorgeous art holding scenes together.

Nisemonogatari Toothbrush Scene Orgasm Karen Koyomi Araragi Shaft
Well, things just got awkward in here...

Then of course there's episode eight, which is so notorious it deserves a paragraph to itself. This is the episode that features the infamous "toothbrush challenge" (if you haven't already heard of it, just Google or Youtube it), one of the most awkwardly fun anime moments I've seen. It's incredibly annoying that this takes up an entire episode of Tsuhiki's arc (considering she already got the short end of the stick on the episode count), but it's definitely the most memorable moment of the show that DOESN'T involve Shinobu.

After the masterpiece that was Bakemonogatari, the far inferior Nisemonogatari can be a little hard to swallow. While the original managed to pull off five great arcs in the space of 15 episodes, this struggles to pull off two in 11. The once-interesting tangential conversations feel inane and dull, and the bulk of the episodes are packed with filler and relentless fanservice. When Nisemonogatari does decide to go all out the result is magnificent, but by then it's too little too late to save the series as a whole. Still, the art is as gorgeous as ever, the characters fun (in the case of Shinobu, even moreso) and no one will ever quite forget that scene, cementing Nisemonogatari as a watchable, if not flawed, sequel.

And at the very least, you can thank this series for Platinum Disco. Best. OP. Ever.

Friday, 16 August 2013

Anime REVIEW: Bakemonogatari

Bakemonogatari Koyomi Araragi Vampire Shaft

Based on a series of light novels by Nisio Isin (Medaka Box) and animated by the studio Shaft (who also worked on Puella Magi Madoka Magica, among other things), the Monogatari series is arguably one of the most popular anime franchises that's around at the moment. It's also one that's taken me far too long to actually give a try. The first in the series, entitled Bakemonogatari (a clever pun that works in Japanese and English, as it translates to "Ghostory") ran for a total of 15 episodes (the final three released as ONAs) back in 2009.

Bakemonogatari Hitagi Senjōgahara Crab Shaft
The crab.

Bakemonogatari tells the story of Koyomi Araragi, a third-year high school student who partly human again after becoming a vampire in events prior to the series. One day, his classmate Hitagi Senjōgahara, falls down the stairs into his arms. He discovers that Hitagi unnaturally weighs next to nothing. Despite being threatened by her to keep away, Koyomi offers his help and introduces her to Meme Oshino, the one who cured him of being a vampire. Once Koyomi helps solve Hitagi's problem, she agrees to become his friend and, later, his girlfriend.

As the series progresses Koyomi encounters various other girls, each plagued by their own supernatural oddities. Unable to keep away, Koyomi vows to help each girl - turning to both Meme and the vampire that attacked him (who is now in the guise of an 8-year old girl named Shinobu) for help.

Bakemonogatari Mayoi Hachikuji Snail Shaft
The snail.

The "apparitions" that plague the characters of Bakemonogatari each take the shape of a different animal, and along with this comes several visual cues that relate to each character/arc. Despite the range of relatively "safe" animals these spirits take (a snail for example), visually the show couldn't get much more twisted than it already is. Behind each character is some sort of trauma, and even if the show doesn't explicitly display these traumas in its own unique way it'll provide you with enough info to paint your own images. While the supernatural plays a very heavy part on how everything unfolds in the series, the actual tension and drama is mostly drawn out from these very human events.

Bakemonogatari Suruga Kanbaru Monkey Shaft
The monkey.

Even though the supernatural element of the show is a huge draw that a lot of the drama hinges on, the Bakemonogatari wouldn't be what it is without its cast of lovable characters. The hapless but good-natured Koyomi, sarcastic and sexualised Hitagi, humourous schoolkid Mayoi, perverted tomboy Suruga, good natured class president Tsubasa and...the slightly less interesting Nadeko - each one brings different traits to the table resulting in an excellent variety of exchanges. Even the mute Shinobu will have you considerably impressed by the time the final episode is through.

Once you become invested in the characters, it becomes clear how much they stand above the various animal apparitions that plague each of them. Suddenly the overly long sections of dialogue become engaging banter, and the episodes that have little focus on the supernatural become among the strongest the show has to offer.

Bakemonogatari Nadeko Sengoku Snake Shaft
The snake.

The final thing that needs to be said about Bakemonogatari is that it is an absolute artgasm. Seriously, this is one show that REALLY needs to be seen in high definition to get the full experience. The show places just as much emphasis on visuals as it does on narrative, with varying styles using to depict different sequences. The most common is blank cards with single words or phrases appearing onscreen, often differing from the dialogue but adding to it. Some parts move so fast that you won't take it all in, but the effect still remains. Backgrounds are often stripped down to the bare essentials and single colours in order to make the characters stand out, while monochrome photographs and papercut sequences (think the witches in Madoka) are used to illustrate the show's chilling flashbacks. Bakemonogatari is a visual tour de force, presented in a style that only Shaft truly master.

Bakemonogatari Tsubasa Hanekawa Cat Shaft
And the cat.

Admittedly Bakemonogatari's individual arcs often get off to a bit of a slow start and the heavy dialogue does sometimes borderline on the pretentious, but these small flaws are easily to overlook because of just how amazing everything else is. Shaft proves themselves to be kings of the artistic, weaving the outstanding visuals with compelling characters and a story line that cleverly balances it's light and dark elements. I don't know personally whether the later seasons show the same level of quality (I'll find out soon enough), but even as a standalone piece, Bakemonogatari will quite easily be a series that anime fans fondly remember for years to come.